You will also see in the image above that it states: “Selected Display in not validated as G-SYNC Compatible.” The image is for a different model, but exactly the same information is displayed for the Acer (aside from the model number, of course). There is generally less ‘powdery’ trailing than with the 24G2U reference for all background rows here. We lowered brightness and made minor adjustments to colour channels for our ‘Test Settings’. But these shades appeared far from washed out, whilst appearing truer to the developers original intentions. A step above the AOC 24G2U, which is no slouch at 144Hz, with less ‘powdery trailing’ in particular where medium to darker shades are involved. Also note that there’s a slider that allows you to adjust the overall balance of SDR content if HDR is active in Windows. Brighter elements appeared somewhat grainy, more so than on the AOC 24G2(U) for example, but less so than on models with heavy ‘smeary’ graininess. The AOC reference shows weaker trailing (or strobe crosstalk, if you prefer) than the Acer and is free from overshoot. So it’s good that there isn’t clear strobe crosstalk there – just overshoot that’s quite distinct from and fainter than the main object.

The monitor also shows strong consistency overall, with some differences due primarily to colour temperature uniformity on our sample. Colour gamut 'Test Settings' The monitor doesn’t natively support 10-bit colour reproduction, although the HDR10 pipeline does make use of 10-bits per channel colour output. The second last pattern was slightly fainter than it could be and the final pattern was masked quite strongly by the screen surface and only very faintly visible. Many shades appear slightly more muted now, but in most cases the differences aren’t profound. There were no clear flashes of saturated red, orange or green or shifts between these with a bit of head movement. The bottom line; a capable, highly responsive and well-tuned monitor with rich and natural colour output. In fact this model would put quite a few TN models to shame with its level of pixel responsiveness. Both our responsiveness article and the G-SYNC article linked to explore the importance of these two elements being synchronised. The main one is ‘sRGB’, whilst another with identical gamut but different gamma handling and colour setup is ‘Rec. 709’.

The darkest blue block blended into the background just a touch too readily.Performance on the black level test was strong. The AOC isn’t considered a ‘slow’ monitor, either, and is using its most aggressive pixel overdrive setting (‘Strong’) for this comparison. The pursuit photographs below were taken with the monitor set to 85Hz using VRB set to both the ‘Normal’ and ‘Extreme’ setting. It happened fairly quickly on this model – as demonstrated using Test UFO earlier, even at 120Hz this is quite a bit stronger than 144Hz. A step above the AOC 24G2U, which is no slouch at 144Hz, with less ‘powdery trailing’ in particular where medium to darker shades are involved.

There were no clear weaknesses here, with the visual fluidity limited by the frame rate itself rather than the monitor. No additional monitor drivers or ICC profiles were specifically loaded and the monitor was left to run for over 2 hours before readings were taken or observations made. At 60Hz, above, the UFO appears soft and unfocused without clear internal detailing. On our GTX 10 Series GPU (GTX 1080 Ti), the technology worked to a degree, but didn’t quite do what it should.

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