The title cut swings, “C.T.A.” zigs and zags like a ride on the subway, and “All The Way” is the consummate jazz ballad. 7: Hermann Maier Wins Two Golds After Spectacular Crash, No. Critics recommend hearing the album in mono, as stereo recording was still in its infancy then. The song almost had sort of a crossover world beat kinda feel to it. A case can be made for many others in the Miles catalog ("Birth of the Cool," "Bitches Brew "), but this one excels. Here is my effort at selecting the 100 most important standards for an aspiring jazz improviser to learn. In an obituary for this founder of modern jazz, The New York Times declared his playing “, Clifford Brown died prematurely in a car crash at the age of 26, but in his short lifetime, he made his mark as a jazz trumpeter. These include both Broadway-type songs, and tunes written by jazz figures as improv vehicles. Don Cherry Brown Rice (1975) Coming to prominence through his association with maverick saxophonist Ornette Coleman’s classic 1950s-60s quartet, Cherry was a pioneering figure in incorporating global influences into what is loosely called the “avant-garde.” This 1975 triumph integrates Indian, African and Arabic influences with electronics and free improvisation. “Arietis” flows, from high to low, with mercurial grace; “Marie Antoinette” blends big-band sensibility with bop language, and “Crisis” speaks to the workshop ethic of the time. So call "Feels So Good" a “jazz gateway drug.” And give fair props to drummer James Bradley Jr., bassist Charles Meeks, and guitarist Grant Geissman, for their playing is strong. "Plays for Lovers"—sometimes sad, sometimes sexy, and seldom played louder than a whisper—is so deeply immersed in West Coast Cool that it could be called West Coast Frozen. Alternately fiery and contemplative, Jensen shines brightly on this collection of re-imagined standards and sinewy originals featuring Steve Wilson, Larry Grenadier, and Lenny White. Instead, this list contains a selection of albums highlighting important moments in the evolution of the music and focuses on the diversity of expression among trumpeters in jazz history. One of the best examples of his skill can be heard in the song “Cherokee” on the Max Roach Quintet’s album “Study In Brown.” Some regard, Q&A: The History of the Christmas Celebration, I felt as if I had stared into the sun's eye, Herbie Hancock’s 1965 album “Maiden Voyage”, marked the beginning of Hancock’s solo career, most consistently innovative musician in jazz, “West End Blues: The Very Best of the Hot Fives & Sevens”, Roach’s drumming as the highlight of the piece, No.

Favorite Answer. All three of them appeared as guests on this groove-heavy debut with his RH Factor project. The session boasts a lineup including Herbie Hancock, Joe Henderson, Ron Carter, and Lenny White. 7 years ago. I don't know the song, sorry but I can help you! if you still don't know then maybe just tell me what you think the top 5 most famous jazz trumpet songs are? Sure, we could skip Chet Baker and add any number of albums from Miles or Freddie or Dizzy to this list. But this record is not just a testament to Gillespie's genius: It also tracks two important developments in the evolution of jazz.

Haunting, melodic, and sharp as a blade. Criteria: With multiple recordings of many of these songs, these 100 Greatest Jazz Instrumentals were chosen as the best examples based on their lasting popularity, impact & originality, and the innovative qualities of the composition.

You'll want a reissue of the album post-1992, when it was discovered that a tape machine had been running a little slow while making side one of the original recording, resulting in a mono version of the album that ran a little sharp. From Gil Evans’ masterful jazz orchestra arrangement of the adagio from Joaquín Rodrigo’s 1939 “Concierto de Aranjuez” to the explosive merging of modern rhythms, improvisation, and production, these are but two facets of a boundlessly creative mind. From Louis Armstrong to Dizzy Gillespie to Miles Davis to Chet Baker, horn players are some of the most famous figures in jazz history. Morgan’s influence on his peers, as well as those who followed, can be heard in his crystal-clear tone and rich, mellow attack. Wynton MarsalisBlack Codes (From the Underground) (1985) The so-called “young lions” of the 1980s brought renewed life into pre-fusion acoustic jazz based on swing rhythms and the blues, with young New Orleans-born trumpeter Wynton Marsalis leading the charge. Clifford Brown / Max Roach Quintet Clifford Brown and Max Roach (1954) One of the great partnerships of the bebop era, tragically cut short by the death of trumpet giant Clifford Brown in 1956. Lennie Tristano once said that Dizzy Gillespie is a "nice player, but he ain't no Fats [Navarro]." The sheer commercialism of Maynard Ferguson's "Conquistador," along with the kitschy disco beats and girlie background singers, may offend those who worship at the altar of Fats and Diz. Ingrid Jensen Vernal Fields (1994) Just 32 when this debut was released, the Vancouver-born Jensen made a major statement with Vernal Fields, establishing a career as one of the great post bop trumpeters to rise in the late 20th century. Woody Shaw Blackstone Legacy (1970) Shaw’s debut as a leader could scarcely been have been more auspicious than this politically charged post-bop landmark, blending drummer Lenny White’s surging percussion with the electric piano of George Cables and the tightly coiled horn ensemble that matches Shaw with saxophonists Gary Bartz and Benny Maupin.

Ambrose AkinmusireWhen the Heart Emerges Glistening (2011) Winner of the 2007 Thelonious Monk Competition, Oakland-born Akinmusire emerged as one of the finest trumpeters of his generation with his Blue Note debut, featuring a brilliant cross-section of post-bop, ballads, free jazz, and hip-hop influenced material. Featuring the Thelonious Monk Competition winner’s telepathic working band The Blacktet including vibraphonist Justin “Justifan” Thomas and drummer Makaya McCraven, The Way We Play is the sound of today. These pieces are at the roots of jazz, not to mention the heart of American popular music in the 1920s. Answer Save. First, it demonstrates the elemental harmonic changes that welcomed the arrival of bebop and, second, it documents the elemental rhythmic changes that created Afro-Cuban jazz (courtesy of Chano Pozo's appearance with Gillespie for the first time). The song is an open canvas for three jazz legends (Davis, John Coltrane, Cannonball Adderley) to fill. Here's a list of the most commonly called (and played) jazz blues songs and tunes. It's an icon of the style, for certain. Pure happiness is the best way to describe Lee Morgan's "Candy" record, best purchased as the 2007 Rudy Van Gelder remaster. Balancing heartfelt emotion with an acute social consciousness, this superb recording continues to resonate. We present fifteen trumpet-led sessions that should be considered required listening. This is not intended to be a definitive “best albums or artists of all time” list. Still, some songs and musicians stand out as classics in a particular category. Dizzy Gillespie was at his peak during the years of his RCA Victor recordings (1939–1947), his playing clear and precise, from the flair of "Manteca" to muted spirit of "A Night In Tunisia.". Louis Armstrong The Best of the Hot Five and Hot Seven Recordings (1925-28, compilation 2000) Amstrong’s most influential period is documented on these priceless sessions from the late 20s, establishing Armstrong’s singular genius and changing the focus of the music from ensemble playing to a showcase for the soloist. 7 Answers. Featuring trombonist Kid Ory and pianist Lil Hardin, this collection was added to the National Recording Registry of historically important recordings in 2002. 15 JAZZ TRUMPET ALBUMS YOU SHOULD HEAR.

Here's a list of 10 essential jazz trumpet albums, a few of which will likely elicit some surprise (and maybe some nays from purists). This is not intended to be a definitive “best albums or artists of all time” list. Michael Verity is a jazz musician, writer, and photographer and a regular contributor many music industry niche sites. As Davis told the Washington Post in 1969, “I have to change.

Here's a list of 10 essential jazz trumpet albums, a few of which will likely elicit some surprise (and maybe some nays from purists). Over many years of teaching student jazz combos (and playing professionally), I’ve developed some opinions about “must-know” repertoire. 6: Torvill and Dean’s “Bolero” Routine Dazzles Audience, No. Relevance.

LiveAbout uses cookies to provide you with a great user experience. But on "Ready for Freddie" the young Hubbard demonstrates why he’s considered a master. Go to the App Store and download this free app- it's called sound hound. That might be a touch harsh, but Navarro's imitable skill is on full display on "Going to Minton's," particularly on the light swing of "Everything's Cool" and the frenzied "Hollerin' And Screamin'." Roy Hargrove's The RH Factor Hard Groove (2003) Hargrove’s meteoric rise in the 1990s saw the young Waco, Texas native building a reputation as a fire-breathing post-bop traditionalist, but by the end of the decade he had deeply immersed himself in the neo-soul movement, working with D’Angelo, Common, and Erykah Badu. The inclusion of Chuck Mangione's "Feels So Good" is another that may draw “boos” from purists, but scoffers can hiss if they like.

Like Miles Davis, Freddie Hubbard’s repertoire has more than a few albums that could inhabit this list of essentials. Not a lot of vocals but the trumpet thing kept repeating and it was really simple like 3 notes maybe.

Freddie Hubbard Red Clay (1970) Hard bop’s greatest trumpeter blended his burnished, blues-soaked approach with the soul jazz influence of the late 60s and grooves from the emerging jazz-fusion movement on this CTI masterpiece centered around the irrepressible 12-minute title track. For those who wish to understand the roots of jazz trumpet playing, Louis Armstrong's work with his Hot Five and his Hot Seven is essential listening. Lee Morgan (Photo by Francis Wolff) We present fifteen trumpet-led sessions that should be considered required listening.

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