“A chair is an object imbued with meaning that most other furniture is not” — Dr Adam Bowett (furniture historian). She was awarded a British Council Residency in Hanoi, Vietnam, and is an Elephant Trust and Arts Council England grants award recipient. The other 13 artists also had their books enclosed within similar printed covers.
justin@fennerpaper.co.uk, Thanks for your comment! Her work deploys a language of visual force across disciplines, including drawing, sculpture, painting, printmaking, installation, architecture and video. Pen & Archival Inkjet Print on 60gsm Archival Offenbach Bible Paper. 2010. Jonathan Kelham | Works.
The poster-size print comes with a copy of the book. Thanks for your comment! 2010. Size: 4.5 x 18 cm. We use the same vocabulary to describe a chair as we do our bodies. If I like it, I'll add it on. Baconesque III. _ _ _ _ _ LOOT [2013] is part of a an overarching project begun in 2009 entitled Leaders of Men. 56.5x85 cm. Concertina, 13 x 18.6 cm. Edition of 30. Cheers J, Given the lightweight nature of the Offenbach Bible, you probably won't be able to believe that it's digitally printed! Digitally printed on Offenbach …
Below shows the text fully extended: The Offenbach Bible is enclosed within a Pergamenata paper cover which was all put into a loose cover, with the photo of the train in snow, supplied by WhnicPRESS.
Baconesque IV. Digital print on Offenbach Bible Paper Approximately H. 12 ½ x W. 17 ½ inches (31.75 x 33 x 44.45 cm) Edition of 25. Each artist was given a different book cover of the same publication, If on a winter’s night a traveler by Italo Calvino, and asked to translate their image into words and book form. The job was printed and finished by print company. Blind drawings of teapots. Archival Pigment Print on Offenbach bible paper. Digitally printed on Offenbach bible paper stitched into pergamenata. We endow chairs with human values and each reveals something of the maker as well as the owner in the telling. NoWhere: wall texts at Camberwell College of Arts, UAL, All images and text © Caroline Penn, 2020.
Archival Pigment Print on Offenbach bible paper. 2010. Edition of 30.
Diann Bauer studied art and architecture at Cooper Union and Goldsmiths College. cpadminsu Archival Pigment Print on Offenbach bible paper. Each has a different character, a different history and it is immediately resonant of the person to whom it belongs. Digital print on Offenbach Bible Paper Approximately H. 12 ½ x W. 17 ½ inches (31.75 x 33 x 44.45 cm)Edition of 25. Printed onto 60gsm Offenbach Bible Paper (supplied by Fenner paper) and printed at Kingston School of Art and hand bound. Edition of 30. Newer Post Older Post Home.
A story of family, status and china. A series of books exploring the emotional relationship people have with chairs. Baconesque II. 2013 Artwork Signed & Dated. Bauer has taught at several institutions including the Cooper Union and Cornell School of Architecture, Art, and Planning in New York, and Goldsmith's College and the University of the Arts in London. Each book tells the story of one person and a chosen chair. 56.5x85 cm. Archival Pigment Print on Offenbach bible paper.
Bauer’s work has been exhibited in institutions, art galleries and other non-traditional gathering places internationally since the early 1990’s, notably at the ICA, Vilma Gold, Cell Projects, The Drawing Room (all in London), as well as Deste Foundation and Benaki Museum in Athens, Ian Potter Museum of Art, Australia, and White Box, The Dorsky Museum and Socrates Sculpture Park in New York. If I like it, I'll add it on.
Uncategorised. This year, she participated in a group show in conjunction with Accelerationism: A symposium on tendencies in capitalism at Kraupa-Tuskany Zeidler, Berlin.